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2020’s Existentialist Turn | Boston Review
2020’s Existentialist Turn from Boston Review. While existentialist thinking has much wisdom to offer about anxiety, contingency, and death, we must also think concretely about politics and institutions.
— Read on bostonreview.net/philosophy-religion/carmen-lea-dege-2020s-existentialist-turn
Eterna Cadencia – Rarezas geográficas
Eterna Cadencia – Rarezas geográficas
— Read on www.eternacadencia.com.ar/blog/ficcion/item/rarezas-geograficas.html
A. García Marqués: “Tò tí esti, tò tí ên eînai, tò ón: su sentido y traducción” (2016) (I) – Tras la palabra
A. García Marqués: “Tò tí esti, tò tí ên eînai, tò ón: su sentido y traducción” (2016) (I) – Tras la palabra
— Read on traslapalabra.com/a-garcia-marques-to-ti-esti-to-ti-en-einai-to-on-su-sentido-y-traduccion-2016-i/
Odysseus and Nausicaa, Painted By Salvator Rosa (c. 1615-1673)
Odysseus and Nausicaa, Painted By Salvator Rosa (c. 1615-1673)
https://thehistorianshut.com/2021/08/29/odysseus-and-nausicaa-painted-by-salvator-rosa-c-1615-1673/
— Read on thehistorianshut.com/2021/08/29/odysseus-and-nausicaa-painted-by-salvator-rosa-c-1615-1673/
Eterna Cadencia – Mario Ortiz: “El hacer poético no es privativo de los poetas”
Eterna Cadencia – Mario Ortiz: “El hacer poético no es privativo de los poetas”
— Read on www.eternacadencia.com.ar/blog/contenidos-originales/entrevistas/item/mario-ortiz-lo-real-no-puede-ser-pensado-sin-imaginacion.html
Querido Borges, Susan Sontag – Calle del Orco
Querido Borges: Dado que siempre situaron su literatura bajo el signo de la eternidad, no parece demasiado extraño dirigirle una carta. Si alguna vez un contemporáneo pareció destinado a la inmortalidad literaria, ése fue usted. Fue en gran medida el producto de su tiempo, de su cultura y, sin embargo, supo cómo trascender su tiempo,…
— Read on calledelorco.com/2021/08/12/querido-borges-susan-sontag/
A visit to the Kabul Museum (to be continued…) – by Bruno Maçães – World Game
Like so many of the buildings in Kabul, the main and most noble entrance has been closed and a new and more secure one created in the back. In this case it feels rather nice. You have to walk through an empty field. There is no one around. I must be the only visitor today, but inside the building there is a flurry of activity. Some rooms are not exhibitions halls but restoration ateliers. I pretend to be lost and attempt to peak inside a couple, but the artisans quickly hush me out, before returning to their treasures.
— Read on brunomacaes.substack.com/p/a-visit-to-the-kabul-museum-to-be
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